Friday, 23 October 2015

Its not sunny in philidelphia

This week’s readings, specifically Markus, made me think of rape culture, not only in its persistent and ever present nature but also its celebration in humour. Looking back onto the language and dynamics of scripting, many of the words and narrative we receive are disseminated through popular media. An uncomfortable scene from the critically acclaimed It’s Always Sunny In Philadelphia embodies many of the issues of the language and the “narratives, complexes and institutions” which perpetuate the language, script or procedure of un-named rape (389).
One of the four protagonists frequently seduces women in a sociopathic manner, often to what is construed as comedic effect. Much of the shows dark humour stems from how malign it can construct its characters while still allowing them to retain their humorous draw. Dennis abuse of women is his mortal flaw in the show, but the humour is incredibly damaging as it reinforces “language structures” which perpetuate rape and even rewards the viewer with the less damaging humorous wit in the series (390). When Dennis says “they can’t refuse because of the implication” whilst isolated on a boat, he is committing sexual assault without, what Markus describes as, “act of naming” (400).
                Carrying roughly a fifth of the shows content, Dennis is portrayed in countless ways abusing women’s safety for allegedly humorous ends. A key component of his “system” for picking up women are “nurturing dependence” , specifically by prank calling and terrorizing women with physical threats from ‘third party’.  The show directly depicting him calling one of his victims with a voice masking device and proclaiming “I’m watching you, you bitch. You’re going to die tonight”, so as to drive the women further into his protection.
                His abuse of women extends further than just mere self-inflation. In the season three premiere he convinces a woman to partake in LSD and later on copulates with her, as a means of extracting revenge on a man who called him an inauthentic hippy.
                The actions are so clearly inappropriate the audience is left with the question as to whether the character of Dennis is some kind of dark parody of the world we live in. Could the character be a means of condensing all the issues of rape culture into a single telos as to point out the flaws in the system? Or is the humour of his crass, manipulative and sociopathic actions simply another way of reinforcing these structures, by allowing them to be something to laugh at? If anyone in the course is looking to do a content discourse analysis on rape culture, the show is ripe with unapologetic examples.

[on a side note- Recently Ex Machina has become available on Canadian Netflix. Its portrayal of femininity, humanity and authenticity are very interesting. In terms of understanding the narratives and discourse available, the movie claims that an authentic intelligence cannot simply reiterate phrases, but must be able to generate its own.]

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